The legacy of the building stems from a mid-century Manhattan that maintains functionality as a nexus of tenants and tourists accessing the lobby, concourse, and plaza by way of above ground and underground passageways to subway transportation, buses, and the expansive avenue. With the Rockefeller center campus immediately to the east and Times Square a block west, the lobby is accessed from north, south, east and west.
1251 Avenue of the Americas won an American Architecture Award 2025 from The Chicago Athenaeum: Museum of Architecture and Design.
The interior of the lobby has two main exposures facing north and south. The thirty-foot-high ceilings are bordered by soaring piers that frame the iconic rhythm of slender glass panels that extend the entire length of the tower. A dark, warm core is clad in a rich St. Laurent marble with deep fields of dark chocolate coloration streaked with veins of cream and rust. The oversized slabs are blended to create monolithic compositions that are akin to geologic works of art. The interior of the elevator lobbies and floors are clad in a Taj Mahal quartzite, exuding a warm, active energy.
Metals are tinted to preserve the warm bronzed tones of the previous palette, but desaturated to a contemporary champagne color. Carved glass transoms mark the four retail entrances at the four corners, and custom, oversized pendants in the elevator lobbies emphasize the slender, elongated proportions of the exterior curtain wall.
Kan Yasuda, a master of carved stone, created four massive Carrara marble stones that are literal touchstones for visitors and tenants who sit, lean, or touch them. The main reception and security desk are flanked by the stone sculptures and bring new technology to the self-check-ins on the side. The desk as an object is finished on all sides with the plaza on the south side now fully transparent from both the inside and the outside.
Hiroshi Senju is an artist who has created a painting of a waterfall for the east lobby using a thousand-year-old pigmenting technique. Luminous and soulful renditions of water falling in monochromatic, high contrast detail will greet the many commuters entering the lobby from the lower eastern concourse escalators that have direct access to four subway lines.
The north lobby incorporates a touch down counter in the center and two upholstered benches. Folding in residential and hospitality sensibilities, the space is tailored to support casual interactions for tenants and their guests as they meet before or after their journey up into the tower.
The lower concourses are designed as a bridge between the tightly curated design upstairs and the MTA platform. Bianco Calcite stone panels on the wall frame video art installations with curved corners sloping in towards the pixelated canvases.
Ultimately, the building is repositioned as a micro eco-system of retail, transportation hub, living lounge, and immersive art gallery. It is one of the most exciting lobbies to activate midtown Manhattan, and forges ahead into the future of workplace with timeless resilience, elegance, and vibrancy.
Architects: FXCollaborative Architects
Lead Architect: Guy Geier
General Contractor: Turner Construction Company
Developer: Mitsui Fudosan America, Inc.
Photographers: Chris Cooper
Schnitzer West LLC is redefining multifamily living in Southeast Denver with the debut of The Avant, a 337-unit community.
Mitsui Fudosan America has signed or renewed three tenants at 1251 Avenue of the Americas in deals totaling almost 200,000 square feet.
